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The name
What “horse servants” were important to members of the courts of medieval Europe, the term
On the other hand, the name Paul developed from the Latin paulus meaning “small” which derived as a Roman surname. His name also mean humble, which may suggest he is someone not proud or arrogant, someone modest. The word “humble” could imply many things such as having a feeling of insignificance, inferiority. In Atonement, McEwan present the character Paul Marshall in a contrasting way. His name does not match up with the it’s meaning, but somehow carry out an ironic effect. This still makes it’s an atronym, as his name still suits him however sarcastically.
McEwan presents the character in an opposing way, he seems to appear more proud and confident. He appears to think he is more superior we see this through out his behaviour and how he takes over the conversation with his monologue, this is ironic since his name means “humble”, someone in low in rank, importance and quality.
Cecilia Tallis is one of the protagonist characters in the novel Atonement. Ian McEwan purposely devises his characters names to reflect their overall personalities as well as their role throughout the novel. Cecilia’s name derived from the Latin origin “a way for the blind.” She embraces this role as “a way for the blind” as she becomes a nurse during World War One. Most war soldiers came back from the front with injures beyond one’s expectations. Amongst them were men who had lost an eye, or a limb; they had lost their soul and even their minds. As a nurse, she finds “a way for the blind” soldiers to recuperate and recover from their battle wounds.
Furthermore her name stems from a Roman family name and literally means to be “blind.” The definition of "blind to" means unwilling or unable to appreciate or notice something apparent to others. Cecilia Tallis has a “blind” spot when it comes to her “unclosed books, unfolded clothes, unmade bed, unemptied ashtrays…” However her mind is preoccupied with thoughts of Robbie Turner, her childhood friend, fellow Cambridge student and potential love interest. She feels “uncomfortable and hot” when she thinks about him. She believes “she hates his inadequacy” but that is merely clouded judgment. As the two characters have grown up together side by side, they adopt new feelings for each other, as they grow older. However they are “blind” about these emotions. Perhaps they are just “blinded” by the idea of love as it is still a foreign concept for them both.
Moreover in Atonement, Cecilia’s character turns her back on her family when they accuse Robbie of rape. She turns a “blind” eye towards her family, especially Briony as she is behind Robbie’s accusation. Briony is the cause of Cecilia’s future unhappiness.
JACK
the name jack refers to someone who cant be trusted, the name really confirms who he is as a character, as he is the husband cheating on emily tallies. This could support how a jack is the knave in a suit of playing cards, as it could reflect how the family cannot trust him to be a loyal father and husband.
There isn't a presence of him in the story, this is likewise in most card games, usually we disregard the jack, and place it to the side and don't think of it much, and it really doesn't have any part in the game. This is like Mr. Tallis' life, he's always doing something else on the outside, he is not in the Tallis home, and isn't much of a part in his families life. This could refer to the distant nature of his character, and how he is always absent from the events of his wife and children. The name jack is also used frequently in fairytales, which could reflect his absent nature, and how he is like just a story thats being told, we hear about it, but never see him, like a fairytale, it is almost all make belief, like jack having to work late.
The name jack is also a another version of the name john, which refer's to a man. His attitude could be seen very stereotypical to the way a man would act, dominating, independent, doing their own thing, as well as being able to have as many women as he'd want.
There are also many equipment and jobs including the word jack in it, for instance lumberjack, which could confirm his nature of being a hardworking husband and father, who tries to earn money to put the food on the table, to meet up to that once wealthy status of the Tallis'.
TALLIS
The names Tallis actually refers to a judaism shawl worn by jewish men at morning prayer. A shawl is a elongated rectangular piece of cloth typically used to cover the head and shoulders. The word originally came from biblical hebrew tillel, which means 'to cover'. The irony here, is how the Tallis' don't cover up what they do enough, the families actions are so explicit, especially cecelias lack of etiquette and how she behaves in not a very accepted way that girls should.
The Tallis' are anything but religious, the way they don't abstain from sex and do it without any care or regard for the fact hat someone else may enter the room. Also the way they don't really have family time, and don't spend anytime together as a family seems rather unreligious. They are kind of a dysfunctional family, in the sense, there's no real sense of respect for one another. No one has meals with one and other, and the young don't seem to really respect their elders. No one has responsibility either, everyone is just free to do their own thing.
The Tallis' names makes reference to something religious, but they have committed so many sins, like Briony has wrongly convicted someone of a crime, and ruined their life and everyone else surrounding them. Paul marshal committed rape, although he is not a tallies. Jack Tallis is a stealer. There's no loyalty.
Tallis also is a french female name, meaning woodland, their home seems to be surrounded by woodland. In the woodland, it is also a large area where many things that can occur without ever being known. It seems like whenever someone wants to commit something bad and wrong, they would do it in the woods, or if someone is murdered, they would drag the body and abandon them in the woods, its as if the woods is a place where everything is private and nothing is known. This reflect the Tallis' family, we never really know what is going on with them, and within a family that appears normal an pleasant, so many unpleasant thing occurs within them, so many lies and deceit. In a way, their last name reflects the nature of the family, and perhaps foreshadows the fate of the families happiness.
I think McEwan's technique of aptonym is rather effective, in the sense that it gives us a better idea and understanding of the character, and how he perceives them. It makes us understand the work and enjoy it even more, because he doesn't actually tell us about his hidden meanings for the names, so we had to of work it out for ourselves, especially a some characters have such strange names, or names with very obvious meanings, so it gets us curious about the rest, and makes us imagine whether the name created the character, or vice versa. Reference is also made by people questioning the strange name the family has, so it hints us to look into them. All the more, Ian McEwan makes it a joy to study the novel.
In what ways does Lola fulfill the definitions of her name?
Lola, a short for the Spanish name Dolores, means “sorrows”, which was taken from the title of the Virgin Mary: “Virgen Maria de los Dolores”, “Our Lady of Sorrows”. Lola can also be taken to mean “strong woman”, or alternatively “Lolita” can mean a young girl regarded as femme fatale, or deadly woman by more mature men.
Lola could be considered to mean “sorrows” due to her misfortunes and the misfortunes she plays part in bringing to others. Lola’s parents divorced, and due to violent court cases, the young women was forced travel far from home, with two younger brothers under her care. Additionally, though Lola fails to point to the true criminal, she is raped at fifteen years old by Paul Marshall, even after attempting to escape, as McEwan tries to suggest with the injuries on both Lola and Marshall. While Briony plays the key part in wrongly blaming Robbie for the rape, Lola’s silence did play a large part in bringing misfortunes to Robbie, and resultantly Cecelia and the Tallis family. Thus, Lola fulfills her role of being a woman of “sorrows”, as she encounters sorrow, and brings it to others.
The alternative meaning for Lola as a “strong woman” could also be true in the character presented in Atonement. Though few characters in Atonement meet a kind fate in the end, Lola becomes the wife of wealthy and influential Marshall, while Robbie and Cecelia meet tragic deaths, Briony’s life is consumed by her own guilt, and the rest of the Tallis family wilts away in their suffocating country home. Lola's strength keeps her a woman with hopes and goals, despite traumatising events in her life. Lola’s accomplishment in snaring an older man who had raped her into marriage shows the “Lolita” in her character. Lola is very much “femme fatale”, as her womanly attributes allowed her to marry Paul Marshall, who is likely one of the most eligible men to be found at the time.
Emily is a name derived from Aemilius, which is an old Roman name derived from aemulus that means trying to equal, excel or emulate a rival. The name Emily could have also originated from the Greek name aimulos, which means friendly and tender.
For as long as Emily can remember, her sister Hermione has been her rival. Due to Emily’s education being cut short, Hermione has always overshadowed her as a child with all her achievements. Emily is also aggrieved by her sister’s abandonment of her children as she runs away to France with her new lover during a messy divorce and she is left to look after the Quincey’s children; Lola, Jackson and Pierrot. She tries to equal, emulate and excel Hermione to a certain extent because her sister is not present in her life so she has no need to try and surpass her in simple, everyday matters. She only tries to surpass her in more important matters like marriage and family.
Emily’s anger and irritation for Hermione is evident in chapter 12. “Hermione has lisped and pranced and pirouetted through their childhoods, showing off at every available moment with no thoughts – so her scowling, silent older sister believed – for how ludicrous and desperate she appeared.” This quote suggests that even though people may have thought that Hermione was a ‘perfect’ child Emily saw through her flawless qualities, that everyone praised, to her true imperfect side, such as her speech defect. Emily is also described as ‘silent’ in this quote because she feels as though her voice cannot be heard when her sister is around because she steals the limelight.
The most vivid memory Emily has that indicates her rivalry between her and Hermione was when she ran through a window and Hermione had to be the centre of attention, so she had a panic attack. “Emily had shocked a roomful of visitors by running into a French window and cutting her hand […] it was the nine-year-old Hermione who took centre stage with a screaming attack.” This incident in Emily’s childhood suggests that even when Emily was badly hurt, her sister Hermione always had to be in the spotlight and surpass her sister, so she faked a screaming attack just to get the adults attention.
When Emily was a child, she was much more reserved then her sister so she did not try to emulate her but as she grew older their rivalry became more important to her. Emily tries to excel her sister, who just got divorced, by having a ‘successful’ marriage. However, her marriage is not successful because Jack is having an affair but she turns a blind eye, hoping he will come back to her when they retire.
Emily’s personality suits her name because even though she does, in some ways, try to outdo her sister, her tenderness and friendliness has always outshone this. Never once when her sister stole her limelight did she lash out at her and during this unstable time in the Quincey’s life, she has taken the children in, which indicates her kindness. Emily also welcomes all these guests, even Paul Marshall who she does not know, into her home and accommodates them.
In Regeneration, there is an idea that the class in which a person is in plays a role in how a person is classified as a patriarch, and part of the patriarchy. Such characters would be Rivers and Sassoon, who both are part of a higher class and are patriarchal figures. Sassoon led a frivolous life before the war began, and it can be assumed that his status allowed him to become an officer during the war. There is a sense that patriarchs are able to voice out their opinions, which Sassoon clearly does in the very beginning of the novel with his declaration. Rivers is a patriarchal figure at Craiglockhart, where patients seek him for help, in particular Sassoon and Prior who confide in him and see him in a paternal manner. Rivers is also part of the Board, which decides on whether or not a patient is fit enough to return to battle, indicating that he does have a lot of power and authority.
However, there are a few exceptions to this, in particular Prior and his father. In the beginning of the novel, we find that before the war, Prior had been part of the working class; however his job involved him interacting with those in the middle/ upper class. In addition to that, we find that despite Prior’s low status, he had been an officer during the war, in charge of his fellow soldiers. Prior’s character believes that the idea of class is just based on being born into a particular division, and despite this, he looks down on the working class since he has had good education. Prior’s father is a patriarchal figure in his working class division, carrying himself with confidence and authority, even with other people (as seen with the meeting between Rivers and Mr. Prior). Both Prior and his father are not afraid to voice their opinions and thoughts, despite the fact that the one they are speaking to is Rivers, who is of a higher class than both of them.
The idea of patriarchy is presented in Regeneration as one that consists mainly of the higher class who control the lives of everyone else. The world in which the novel is set in is a much closed minded, controlled place where society does not accept anyone who defies their views, however there are a few characters who do contradict their views, in particular Sassoon, Rivers and Prior.
Patriarchy: a social system in which men are regarded as the authority within the family and society. In Regeneration the government highlights the importance of their role and symbolize the patriarchy in society. Although the government is not a single man, it is a collaboration of men who believe they are the authority, the patriarchs of their society; it is their duty to take care of their people.
In Regeneration the men that are of the high social class are qualified to be the patriarchs of society, although Barker does apply this to all her characters. Prior’s father contradicts this ideology as he is of a low social class but is still the patriarchal figure within his own family. Furthermore he does embrace his role as patriarch. We see this when Rivers and Prior’s father meet for the first time. Both patriarchs look down upon each. Similarly Prior’s character also doesn’t fit the stereotype as he is born in the working class but has risen within society. He has earned his title as patriarch because he works as a clerk and later on becomes as officer during the war. During the war we notice that Prior feels superior to his soldiers and almost disapproves of their behaviour. Rivers’ character is a psychiatric doctor at Craiglockhart who has been placed there under government control. His aim is to cure soldiers who have war neurosis and have them sent back to the war. Despite his obedience, Rivers has his own opinion and agenda on matters and deviates from his role and stereotype.
Barker’s has very opposing views of patriarchs and patriarchy in that society. She disagrees with the way the social classes were structured and how men of a higher class can have so much power over men of a lower class. Barker makes her ideas evident through her characters because none of the three main characters meet the requirements of patriarchs during that time. Rivers may be a patriarch at Craiglockhart, however he is not a true patriarch because he often thinks that what the government is asking him to do at Craiglockhart is selfish because he cures the soldiers from their war neurosis but then sends them back to the place which made them indisposed. Sassoon is also not a patriarch because he has a clear stance against the government and very subversive. He is also a homosexual and a very emotional character, which was against the masculine ideals of that period. Furthermore, Prior is very much against patriarchy and makes it clear to the reader when he talks about how snobbish and stupid the upper class is. He is also from the working class but was an officer in the war, which shows that he is part of the patriarchy society but at the same time he isn’t. This creates a conflict inside of himself because he is against it but part of it.
Barker’s view of patriarchs and patriarchy is also depicted through the way she presents the government. Barker’s presents the government as very controlling and inhumane. However the government has no face so people cannot attack it and the public doesn’t know where to direct their anger and cannot single out certain people. Barker also never mentions government officials in the novel, which also suggests that the government is not a single person because a person would be more humane to the soldiers and the war would not be carrying on. Therefore, Barker’s views on the patriarchal government are that they are very inhumane and forceful.