In Act 3 Scene 4, Othello’s speech about Desdemona’s hand is extremely important because it shows his shift from the ‘noble’ man he has always been described as, to a more primitive, barbaric character. Through the vulgar imagery that Shakespeare uses, Othello conveys his self-loathing and also insinuates Desdemona’s lack of loyalty. An example of this is when he describes himself as a ‘young and sweating devil’, the vulgar imagery conveying that he believes himself to be consumed by sexual feelings and seems to hint at Desdemona’s sexuality as well. The reference to the devil connotes evil, suggesting that Othello cannot see any goodness within himself anymore.
Othello describes Desdemona’s hand as ‘moist’, ‘liberal’ and ‘frank’, showing his suspicions of her betrayal and his base feelings about her, as if she is now merely a sexual toy now that she has no virtue in his eyes. There is a strong dramatic irony in his speech because Desdemona is completely innocent and ignorant of the hinted accusations that Othello is making, while Othello believes she is aware and so becomes more incensed by her apparent dishonesty throughout the scene.
Through Othello’s phrase ‘The hearts of old gave hands; but our new heraldry is hands, not hearts’, the audience can see that he has lost his faith in the honour of love, since Desdemona gave her hand in marriage but perhaps not her heart. He is also implying that he can discern her disloyalty through the use of the word ‘heraldry’, as if Desdemona’s hands confess her betrayal because of their ‘moist’ quality.
This speech shows that Othello has begun to speak like Iago because of its continual sexual references, showing the audience his descent from the nobility and honour he began with. The speech also shows that he is overcome with anger and so will use any evidence, even the quality of Desdemona’s hand to accuse her of her disloyalty because he already believes he has been betrayed.
Othello describes Desdemona’s hand as ‘moist’, ‘liberal’ and ‘frank’, showing his suspicions of her betrayal and his base feelings about her, as if she is now merely a sexual toy now that she has no virtue in his eyes. There is a strong dramatic irony in his speech because Desdemona is completely innocent and ignorant of the hinted accusations that Othello is making, while Othello believes she is aware and so becomes more incensed by her apparent dishonesty throughout the scene.
Through Othello’s phrase ‘The hearts of old gave hands; but our new heraldry is hands, not hearts’, the audience can see that he has lost his faith in the honour of love, since Desdemona gave her hand in marriage but perhaps not her heart. He is also implying that he can discern her disloyalty through the use of the word ‘heraldry’, as if Desdemona’s hands confess her betrayal because of their ‘moist’ quality.
This speech shows that Othello has begun to speak like Iago because of its continual sexual references, showing the audience his descent from the nobility and honour he began with. The speech also shows that he is overcome with anger and so will use any evidence, even the quality of Desdemona’s hand to accuse her of her disloyalty because he already believes he has been betrayed.
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